Last Relapse are back after more than a decade away, picking up songs that never really left their heads. The Atlanta band always sat in that space where indie rock feels personal but still big enough to fill a room, and this EP is them finally finishing ideas they carried for years.

“Everyone Dances Outside of Their Bodies” is the clearest example of that. Soft electric guitar, steady drums, and a vocal tone that stands out right away. There is a worn, slightly fragile edge to the way the lines are delivered that gives the song its pull. It plays like a mid-tempo indie rock track but with the focus on mood and phrasing.

“Hey Girl” shifts between a looser groove and a slower, more reflective section, almost like two halves of the same thought. “Rats in a Cage” flips briefly into a more jazzy feeling passage before snapping back into its main pattern, one of the few moments where the band let themselves bend the shape of the song a bit. “In My Place” is the darkest cut here, slower and heavier, letting the vocal sit right on top of guitar and drums. “Solfeggio Dream” drops the drums completely, leaning on looped guitar and voice in a way that nudges toward post rock.

All five tracks feel ready-made for picture. “Everyone Dances Outside of Their Bodies” fits coming-of-age and drama series, driving scenes, late-night reflection. “Hey Girl” and “Rats in a Cage” can sit in bar scenes, gig flashbacks, or montage cuts where you still want the lyrics to land. “In My Place” works for quieter episodes, breakups, or hospital corridors. “Solfeggio Dream” is built for interludes, memory sequences, end credits, and any scene that needs a slow emotional lift without drums getting in the way.


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