The #1 blog for music that fits in film, games, & shows. Curating cinematic sounds, soundtracks, and more.
The first thing you notice with A Different Kind is how familiar it sounds – not in a recycled way, but in how it settles in instantly, like a song you forgot you already knew. It’s been five years since Social Gravy released the EP, and the reissue lands at the right time. “Happening Now”…
Karen Salicath Jamali didn’t set out to become a composer. The piano entered her life after a head injury in 2012, when she started hearing music in dreams and decided to follow it. She had never played before. By 2015, she was recording what she heard. Now there are eight albums and thousands of pieces….
The music for Chief of War opens with tension and patience. The title theme introduces layered percussion and choral textures before anything melodic enters. Voices sit inside the rhythm, not on top of it. Zimmer and Everingham avoid the usual climb into fanfare. Instead, the tone is steady and grounded, shaped by restraint and repetition…
Amanda Emblem doesn’t write albums so much as she accumulates them. She works through songs like they’re assignments, letting them pile up until something has to be done. That process drives The Wood, a collection written off-grid in a beach town. The album sounds more shaped by time spent off-grid than by any concern for…
Glenn Thomas has been working under the radar for a while now, writing clean, emotionally honest songs that move somewhere between folk, alt-country, and quiet pop. His second album, Inevitables, doesn’t break that mold, but it doesn’t really need to. It plays like a document of a songwriter refining his habits, turning inwards, and learning…
Nanashi is a two-person project based in Glasgow. One handles the music, the other comes from the local club scene. They keep their names out of it. No press photos, no front-facing identity. Just music. False Horizons is their first track. It’s fully instrumental: electric guitar and acoustic drums. It starts slow and steady, with…
After holding back on releasing any new music for the first half of 2025, Dax returns with Man I Used to Be — a track written and recorded after reaching six months sober. The decision to delay new work until that milestone came from Dax himself: a self-imposed challenge to see what would come out…
Marc Gundermann has spent years working behind the scenes in Berlin’s music circles. With Konsole, his debut solo EP, he pulls together recordings from the last five years into a focused release that sits somewhere between ambient, noise, and experimental electronics. It was made in home studios across Berlin, Santa Barbara, and Amsterdam, often using…
Jane N’ The Jungle have never been subtle. The Phoenix duo: Jordan White on vocals, Brian Dellis on guitar, have built their sound around intensity, and their latest single “Parasite” keeps the pressure on. Produced by Cameron Mizell (Machine Gun Kelly, Avril Lavigne), the track starts low and slow. A dark synth pad and distant…
Leather Laces is a four-piece electronic project out of Italy with a fixation on sonic aggression and rhythm as a weapon. Their lineup isn’t built around traditional band roles. Instead, each member handles a distinct piece of the machine: rhythm programming, analog saturation, modulation, and structural dynamics. Their debut Rocket Launcher made it clear this…