Nanashi is a two-person project based in Glasgow. One handles the music, the other comes from the local club scene. They keep their names out of it. No press photos, no front-facing identity. Just music.
False Horizons is their first track. It’s fully instrumental: electric guitar and acoustic drums. It starts slow and steady, with a clean melody and loose rhythm. It has the feel of early post-rock or indie film scoring: the kind of track you’d expect under a long shot or a quiet turning point.
The pace picks up halfway through. Guitar lines tighten, the drums fill out more. Toward the end, the chord progression shifts slightly. Nothing dramatic, but enough to suggest movement. The recording stays clean and to the point.
It could sit well in a romantic series, a commercial spot, or a montage with a soft edge of melancholy. Just contained track that keeps its shape from start to finish.
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