The #1 blog for music that fits in film, games, & shows. Curating cinematic sounds, soundtracks, and more.
Ryoka Hagiwara comes at solo piano from a film composer’s angle. Born in Tokyo, raised in London and now busy scoring shorts and animation, she writes in pictures as much as in notes. “In A Haze,” recorded back near her childhood home and tied to a new strand of work about memory and identity, feels…
Soek is the outlet for composer Grant Borland when he steps away from briefs and trailer work and writes for himself. Under his own name he scores ads, films and TV, but with Soek he pares things down to piano, a few electronic touches, and live strings from players in Croatia, giving him a small…
Toronto pianist Eddy Ruyter has spent most of his career supporting other artists, but his solo work shows he doesn’t need a band to tell a story. Waves (Deluxe) is him on piano first, everything else second. It’s a set of pieces written to hold attention, and it works because he treats the instrument like…
Christchurch-based composer and pianist Mark Sutton builds his music around tone, balance, and atmosphere. Odyssey opens with a soft piano figure that sets the scene in a quiet, open space. As strings rise around it, the sound widens and deepens. A low choir moves in slowly, adding weight and dimension without overpowering the piano. Sutton…
Karen Salicath Jamali didn’t set out to become a composer. The piano entered her life after a head injury in 2012, when she started hearing music in dreams and decided to follow it. She had never played before. By 2015, she was recording what she heard. Now there are eight albums and thousands of pieces….
Richard Green has a habit of making classical compositions feel immediate. Based between Milan and London, he’s spent the last few years building a neoclassical trilogy – composed at home, recorded in Italy, and performed by some of the country’s best players. “A Story,” featuring Irene Veneziano on piano and Archimia on strings, is the…
With Phraxia, Nick Pike moves further into his neoclassical style, this time combining solo piano with electronic textures and subtle synth work. It’s his third album, following Norastoria and Evergreen, but it feels more direct in its balance between traditional piano writing and ambient elements. The album shifts between acoustic-led compositions and electronically enhanced pieces…
This month’s Cinematic Giants Spotlight brings together five standout tracks that blur the lines between classical composition, electronic experimentation, and cinematic atmosphere. From modern reworks of iconic scores to delicate, film-ready instrumentals, each artist brings something distinct to the table. Whether it’s the orchestral sweep of Olesya Kolos or the raw intensity of Apashe, these…
Batumi-born pianist and composer Nikita Kondrashev approaches his music with restraint and depth, and his new single Cloudwalker is a clear reflection of that. It’s quiet but not passive, emotional without being overdone. The piece holds your attention not through grand gestures, but through a deep sense of purpose and self-reflection. Inspired by minimalist composers…
Tore G Thomassen doesn’t go for grand statements. He’s not chasing trends or trying to squeeze his music into what’s hot right now. He’s building something quieter, more lasting — the kind of music that doesn’t shout to be heard but stays with you once it finds a way in. Hailing from a small Norwegian…