The #1 blog for music that fits in film, games, & shows. Curating cinematic sounds, soundtracks, and more.
Slow Walk’s debut album The Mountain is a self-contained climb. Written and recorded alone in his London home over just two weeks, it takes the shape of a classic concept record: each track a step upward, each layer another shift in the terrain. The blueprint nods to War of the Worlds and Tommy, but the…
Jasmine Gardosi, Dan Whitehouse, and Ryan Pinson come from different corners of the UK music world. Gardosi is best known as a slam champion and former Birmingham Poet Laureate, a performer who merges spoken word, beatboxing, and movement into something closer to theater than page poetry. Whitehouse has built a reputation as a songwriter and…
AUNCE, the project of Anna Edith Daly Edgington, is a London-based artist with roots in Birmingham and Stoke-on-Trent. After earning a PhD in Music Production in New Zealand, she returned to the UK to develop a sound that mixes electronics with voice in ways that blur song form and sound art. Her work has appeared…
Bog Witch’s latest single, Hatter’s Mad Emporium, feels like it stepped right out of an eccentric stage production. It’s got a cabaret pulse, a lopsided grin, and brass lines that strut like they’re halfway between a vaudeville number and a circus parade. The funky trumpet work pops against the song’s psychedelic folk roots, adding a…
Kat Koan’s new six-track EP The Night Circus is as unfiltered and playful as it is theatrical. Billed by Koan herself as a “carefully crafted hot mess,” this is a record that throws out the rulebook in favour of bold choices, unexpected shifts, and a whole lot of personality. The opener, Recipe for Disaster, kicks…