The #1 blog for music that fits in film, games, & shows. Curating cinematic sounds, soundtracks, and more.
Áyal is a queer singer-songwriter working out of New York, somewhere between musical theatre and indie rock. Their songs lean into big-feeling melodies but stay tied to very specific, modern anxieties: apps, isolation, the ways tech gets into your head and rewires what intimacy even means. “Pixelated Perfidy” goes straight at that. It opens like…
Soek is the outlet for composer Grant Borland when he steps away from briefs and trailer work and writes for himself. Under his own name he scores ads, films and TV, but with Soek he pares things down to piano, a few electronic touches, and live strings from players in Croatia, giving him a small…
Nicolas Zappa makes electronic music that feels closer to a mood study than a set of tracks. Working alone in his home studio, he writes, performs, and processes everything himself, pulling from years of listening to Reznor, Eno, Vangelis and the rest. His previous work scoring the horror film Rauma, 1968 already showed he could…
Misteriseparli make electronic music that feels like it started with a film scene first and the chords second. The duo’s work has always leaned toward mood over genre rules, and Mondo Exotico pushes that even further, treating each of its six tracks like a short, self-contained story. “Big Tail” opens on seagulls and shoreline noise…
Katherine Christie Evans works alone but thinks big. The Romford born, queer, nonbinary producer and sound engineer writes, sings, records and mixes everything herself, pulling ideas from Medieval and Renaissance music, IDM, shoegaze and alt rock. “Lucente Stella” might be her clearest statement of that mix so far, a love song pulled out of a…
Steel & Velvet build their world from very simple tools: one deep voice, two guitars, and a lot of air around them. Formed by singer Johann Le Roux and guitarist Romuald Ballet-Baz and later joined by Jean-Alain Larreur, they treat American folk and rock standards like campfire stories told in a stone chapel. Everything is…
Sharon Ruchman has been writing for piano and strings for years, but From the Heart marks the first time she’s narrowed the frame to just violin and piano for a full release. It’s a focused setup that suits her writing. She comes from a classical background: New England Conservatory, Yale – and her work often…
Gianfranco Malorgio has spent decades moving between jazz, film, and classical guitar. Based in Rome, he’s played with figures from the Gypsy Jazz world like Dorado Schmitt and Angelo Debarre, and his background shows in the precision of his writing. Lately, Malorgio has turned toward composition for film, creating pieces meant to live between sound…
Christchurch-based composer and pianist Mark Sutton builds his music around tone, balance, and atmosphere. Odyssey opens with a soft piano figure that sets the scene in a quiet, open space. As strings rise around it, the sound widens and deepens. A low choir moves in slowly, adding weight and dimension without overpowering the piano. Sutton…
Nikita Noebel records under the name Walilamdzi, a project rooted in Berlin but drawn to landscapes that stretch far beyond the city. The music sits in that space between instrumental songwriting and film score: guitar-driven, slow-burning, shaped as much by atmosphere as by melody. Noebel calls each set of songs a “chapter,” small arcs that…