The #1 blog for music that fits in film, games, & shows. Curating cinematic sounds, soundtracks, and more.
Artomático makes electronic music like a percussionist who got lost in a lab. The Spanish composer and drummer builds tracks from small repeating details, treating rhythm, texture, and sound design as the main characters. CICLOS, his fourth album, feels like a full statement of that approach, folding ambient, post-classical and beat music into something that…
Sheila Rafferty writes electronic music with a very physical anchor point. Working with her husband Ian on congas and percussion, she builds tracks around feel and environment as much as around melody. “Soaring On” was recorded out on the North Yorkshire Moors, and you can hear that in the way it stretches out: no rush,…
RMHNDRX has already proved he can do sharp, anxious electronic pop with YUKS, but The Hole sits in a quieter corner of his world. It feels closer to someone working late with the lights low, following half-formed ideas and stray memories instead of hooks. The Murakami influence he talks about is easy to hear: this…
Mr Briggs has stepped away from bands and volume into something much smaller and more private. Working alone in his Devon studio, sharing space with his painter wife and two chaotic dogs, he’s chasing the kind of music that feels like it was recorded late at night for no-one in particular. The touchstones he mentions,…
My Lovely Haunting is the project of Alex and Lucy, a Melbourne duo who treat songs like scenes. The name fits: everything they make seems built for dim rooms and late-night screens, with Lucy’s voice out front and Alex filling in the spaces with film-score detail. They call it “Bladerunner folk,” which sounds like a…
Nicolas Zappa makes electronic music that feels closer to a mood study than a set of tracks. Working alone in his home studio, he writes, performs, and processes everything himself, pulling from years of listening to Reznor, Eno, Vangelis and the rest. His previous work scoring the horror film Rauma, 1968 already showed he could…
Christchurch-based composer and pianist Mark Sutton builds his music around tone, balance, and atmosphere. Odyssey opens with a soft piano figure that sets the scene in a quiet, open space. As strings rise around it, the sound widens and deepens. A low choir moves in slowly, adding weight and dimension without overpowering the piano. Sutton…
Nikita Noebel records under the name Walilamdzi, a project rooted in Berlin but drawn to landscapes that stretch far beyond the city. The music sits in that space between instrumental songwriting and film score: guitar-driven, slow-burning, shaped as much by atmosphere as by melody. Noebel calls each set of songs a “chapter,” small arcs that…
Marc Gundermann has spent years working behind the scenes in Berlin’s music circles. With Konsole, his debut solo EP, he pulls together recordings from the last five years into a focused release that sits somewhere between ambient, noise, and experimental electronics. It was made in home studios across Berlin, Santa Barbara, and Amsterdam, often using…
London-based artist Vellum Hill wrote the material for Songs for a Scattered Classroom during a month-long songwriting course with Brian Eno. The EP is a direct product of that process — built around oblique prompts, tight deadlines, and a rare burst of momentum. Unlike the artist’s usual years-long pace, these tracks came together in weeks….