The #1 blog for music that fits in film, games, & shows. Curating cinematic sounds, soundtracks, and more.
Joel Veena (Joel Eisenkramer), a Vermont-based slide guitarist steeped in the Hindustani tradition, returns with Cardinal, an eight-track collection that pulls from deep traditions and newer collaborations. Eisenkramer has built his career around the 20-string Indian slide guitar, and with Cardinal, he moves with quiet assurance – tracking ideas that matter to him, in a…
Jeremy Engel’s new single “Ocean” leans into the quiet panic of feeling stuck in your own mind. Led by acoustic guitar and a steady emotional vocal, the track sits somewhere between modern folk and a softer kind of cinematic music. There are no distractions. No excessive layering. Just the sound of someone trying to get…
Stephen Moore, the mind behind Calgary-based Post Death Soundtrack, has returned with his most unfiltered release yet. IN ALL MY NIGHTMARES I AM ALONE is less an album than it is an exorcism, built from 30 tracks that span over a decade of fragmented recording, sudden inspiration, and raw personal collapse. It’s jarring, exhausting, at…
Martin Leroux’s new single “Butterskies” balances heartbreak and acceptance with quiet grace. Rooted in a ’60s folk style, the track moves with fluttering classical guitar lines and a soft string section that feels both nostalgic and fresh. It’s the sound of someone gently closing a door while smiling at the memory on the other side….
After some time out of the spotlight, Ben Heyworth returns with Creature, a three-track EP that feels deeply rooted in place, memory, and the offbeat corners of the human experience. Narrowboat opens the EP with a steady, calm pace and a lyrical focus that draws directly from life on Manchester’s historic canals. The song drifts…