The long-awaited Beetlejuice, Beetlejuice has finally hit theaters, and while the film’s quirky energy and Michael Keaton’s iconic return as the mischievous ghost are major talking points, the soundtrack is equally stealing the show. A mix of classic hits, deep cuts, and ethereal compositions, the soundtrack revives nostalgia while adding fresh layers to the beloved character’s world.
One of the most anticipated moments for fans is the return of “Day-O (The Banana Boat Song)” by Alfie Davis and the Sylia Young Theatre School Choir, a number synonymous with the original Beetlejuice film from 1988. It retains its place as a signature piece in the new movie, bringing back memories of the infamous dinner party scene.
The soundtrack isn’t just about nostalgia, though. It’s a diverse blend of genres, with tracks like Jimmy Buffett’s laid-back anthem “Margaritaville” and the disco classic “MacArthur Park” by both Donna Summer and Richard Harris. These hits are joined by “Tragedy” from the Bee Gees, tapping into the disco revival that has found its way into recent films and soundtracks.
One of the standout elements of the soundtrack is its inclusion of a mix of unexpected artists and compositions, such as the Icelandic post-rock band Sigur Rós with their dreamlike track “Svefn-G-Englar,” and Mazzy Star’s haunting “Cry, Cry.” These additions provide atmospheric contrast to the more upbeat and recognizable tracks, grounding the film in a contemporary soundscape while keeping its whimsical, eerie vibe intact.
Of course, Danny Elfman’s signature compositions make their return, including a revamped version of his original Beetlejuice theme. Elfman’s music has always been an integral part of the Tim Burton universe, and his contributions to Beetlejuice, Beetlejuice maintain that fantastical, slightly ominous tone that fans have come to expect.
There’s also a touch of opera on the list with Maria Callas’ rendition of “Lucia di Lammermoor Act 1: ‘Regnava Nel Silenzio Alta La Notte e Bruna (Lucia, Alisa),” adding a dramatic flair to the film’s more surreal moments. Other intriguing inclusions come from Scott Weiland’s “Where’s The Man,” and Tess Parks’ “Somedays,” both of which add an alt-rock flavor to the mix.
From throwbacks like Richard Marx’s “Right Here Waiting” to the retro vibe of “Soul Train Theme (Scat Version)” by The Soul Train Gang, the soundtrack feels both modern and nostalgic at once. Its eclectic mix mirrors the film’s oddball nature, oscillating between haunting and humorous, much like its titular character.
Beetlejuice, Beetlejuice is showing exclusively in theaters, and the soundtrack is available for streaming, providing a perfect way to relive the magic long after the credits roll. Whether you’re drawn to the classic hits or discovering something new, this soundtrack is a reflection of the film’s layered, eccentric appeal.