Koeve is a teenage urbano artist from Murcia, Spain, working in that space where reggaeton, pop rap and moody synth stuff all bleed into each other. He’s young, but Antes de ser yo already feels like he knows exactly what he wants this project to be: tight songs built around hooks, attitude and very direct emotion.
The EP opens with “Antes de ser yo (Intro)”, a minute of hazy synths, background voices and spoken word. It feels like walking into a room where something already happened, more scene-setter than song, and it sets up the personal angle behind the project title.
From there it moves straight into “P3RR30”, all Rhodes-style keys, filtered topline and a reggaeton beat that lands hard when it drops. The vocal is playful but locked in, with repeats that stick in your head after a single listen. “NO ME LLAMES” keeps the same core drum DNA but puts a soft piano on top and a more emotionally pointed vocal, so it reads like late-night messages and blocked calls, not just club energy.
“NIÑA PIJA” is the flashy one: bright synth arps, chanty lines and a beat that feels built for reels and short-form clips. “30/08” slows the tempo down and leans into a softer delivery, still on reggaeton drums but with a more reflective tone that feels like it’s circling one specific date and everything attached to it. “READY PA´ JODER” closes the set on straight-up mischief: synth, voice and a no-nonsense beat, the kind of track that exists to be shouted along with friends.
For sync, Antes de ser yo lines up cleanly with teen and young-adult series, dating or party scenes, Spanish-language reality TV, youth-focused campaigns, and social clips that need instantly readable reggaeton-pop energy. The intro and the softer piano-led cuts also work for more personal or diary-style content, while “NIÑA PIJA” and “READY PA´ JODER” are obvious fits for high-energy edits and dance challenges.
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