The #1 blog for music that fits in film, games, & shows. Curating cinematic sounds, soundtracks, and more.
Ashot Danielyan is a pianist and improviser who treats the instrument like his home base, even while his catalogue moves through classical, ambient, new age and experimental corners. Awards from songwriting competitions and the Independent Music Awards are on the CV, but the strongest calling card is still how naturally he shapes a melody at…
Stephani Ezatoff comes out of the Pittsburgh gospel world with a voice shaped by church music and old hymns, but this version of “Precious Lord Take My Hand” plants her right inside the classic Nashville tradition. She’s cut it with Brian Speer producing, Johnny Minick on Rhodes and Hammond B3, and a small choir of…
Fiona Amaka has been carving out her own corner of London’s indie scene with a mix of “rock’n’soul,” bluesy vocals, and guitars that lean either into crunch or folk warmth depending on the song. Across singles like “No Daylight,” “Cowards and Shadows,” and “Honesty (Psalm 139)” she’s written about betrayal, faith, and fallout, usually with…
Annstiina is mostly known for art pop, the kind of carefully built songs that live in synths and vocal layers, not bare keys. On field, she drops all of that and sits alone at a piano in Järvenpää on a grey December day, thinking about couples who fell in love and then watched war rearrange…