The #1 blog for music that fits in film, games, & shows. Curating cinematic sounds, soundtracks, and more.
Omnesia call their thing “future vintage,” and it fits. The Oakland project built around androgynous vocalist Medella Kingston and producer/guitarist M2 treats rock history like a toy box: Zappa, new wave, MTV-era excess, and prog theatrics all thrown together and wired for 2026. For their take on Frank Zappa’s “Dirty Love,” they double down on…
David Kovacs writes from that place he describes in his own notes: stuck between a busy inner world and a loud outside one, trying to leave “realism” without losing the plot completely. The album pulls ideas from minimalist classical music, electroacoustic pieces, and modern opera, but it feels closer to a single long mood study:…
Atsushi Matsumoto built Études around an old upright piano he discovered in his family home and a rescued double bass. Working alone in Osaka, he restored the instruments, tracked, mixed, mastered, and even designed the cassette art himself. The record plays like a private notebook, a four-year return to sound after silence, written in short…
Artomático makes electronic music like a percussionist who got lost in a lab. The Spanish composer and drummer builds tracks from small repeating details, treating rhythm, texture, and sound design as the main characters. CICLOS, his fourth album, feels like a full statement of that approach, folding ambient, post-classical and beat music into something that…